• Artlab33 Exhibitions

  • 20.Jan
  • Miami Art Auction for Haitian Earthquake Relief
  • MIAMI ARTIST ART AUCTION
    for
    HAITIAN EARTHQUAKE RELIEF

    (click image above for more info)

    AFP/GETTY IMAGES

    Earthquake victims await treatment Saturday at a Doctors Without Borders facility in Port-au-Prince.

    Weekly Regular Hours: Tue.-Sat. 11-5 p.m. (or by appt.)
    Open Every Second Saturday’s Wynwood Art Walk

  • Studio Visits

  • 07.Jan
  • Studio Visit – Ft. Lauderdale
  • Two painters and professors at FAU downtown Fort Lauderdale, Henning Haupt and Christian Feneck, had an open studio that was a well attended and fun evening.
    Haupt paints large ethereal spaces of rich greens and purples, reds and purples, each color combination also includes mostly white and some very light yellow. His ethereal paintings create an [...]

  • Artists Printmaking Tom Virgin

  • 31.Jan
  • Tom Virgin
  • Tom Virgin

    Making and teaching art occupy most of the time that I am awake. Process is very important to my work; the nature of making woodcut prints (my primary images) is time consuming. Because it is a traditional process that is not widely used, I also teach relief printmaking, so that it will be around [...]

  • Mixed-Media Re/producing Complexity Works-on-paper

  • 06.Jun
  • Re/producing Complexity
  • “RE/PRODUCING COMPLEXITY”
    Exhibition Dates: 11 June – 10 July, 2010

    Exhibition Dates: 11 June – 10 July, 2010
    RE/PRODUCING COMPLEXITY at Artlab33 | Art Space features artists Raúl Perdomo and Liz Atzberger. Both artist’s paintings and drawings take a similar route to reach their goals in a field of rich textures and enveloped in swirls of [...]

Andrew Binder

Andrew Binder

The origin of my art is derived with a fascination with drawing, drawing mediums and the human form. Over time this fascination led me to explorations about the stuff of humanity in the still life genre, and finally the integration of figures, still life, and landscape, using pastels and other colored media.
As an artist [...]

By Onajide Shabaka

Andrew Binder

The origin of my art is derived with a fascination with drawing, drawing mediums and the human form. Over time this fascination led me to explorations about the stuff of humanity in the still life genre, and finally the integration of figures, still life, and landscape, using pastels and other colored media.

As an artist I am primarily interested in books and book forms, because I am fascinated with the byplay between the complexity of the information that can be packed into a book’s contents, and the shear simplicity of traditional book forms. I am also fascinated by the interaction of image and text, and the movement between pages that force the viewer to be gently manipulated into an artist’s vision.

In my imagery I am moving away from the traditional collage techniques of appropriation and attempting to expand my artistic vision by taking my own original source material like Robert Rauschenberg did in his international series. In other words, I am making a world spanning archive of personal images that reference the collective gestalt of humanity, to use in my original art making. Rather than just appropriating photographic images.

Andrew Binder
“War and Health” © 2009
Etching with Collage and hand Coloring
Print size 11 X 15 in.
Frame size 16 X 20 in.

Andrew Binder
“Lady Colle’” © 2009
Etching printed on Inkjet print, with the Chine Colle’ method
Print size 11 X 15 in.
Frame size 16 X 20 in.

Andrew Binder
“Jump” © 2009
Lithograph, Stencil Color, Xerograph, 
Rubber Stamps, and Hand Coloring
Print size 11 X 15 in.
Frame size 16 X 20 in.

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