• Artlab33 Exhibitions

  • 20.Jan
  • Miami Art Auction for Haitian Earthquake Relief
  • MIAMI ARTIST ART AUCTION
    for
    HAITIAN EARTHQUAKE RELIEF

    (click image above for more info)

    AFP/GETTY IMAGES

    Earthquake victims await treatment Saturday at a Doctors Without Borders facility in Port-au-Prince.

    Weekly Regular Hours: Tue.-Sat. 11-5 p.m. (or by appt.)
    Open Every Second Saturday’s Wynwood Art Walk

  • Studio Visits

  • 07.Jan
  • Studio Visit – Ft. Lauderdale
  • Two painters and professors at FAU downtown Fort Lauderdale, Henning Haupt and Christian Feneck, had an open studio that was a well attended and fun evening.
    Haupt paints large ethereal spaces of rich greens and purples, reds and purples, each color combination also includes mostly white and some very light yellow. His ethereal paintings create an [...]

  • Artists Printmaking Tom Virgin

  • 31.Jan
  • Tom Virgin
  • Tom Virgin

    Making and teaching art occupy most of the time that I am awake. Process is very important to my work; the nature of making woodcut prints (my primary images) is time consuming. Because it is a traditional process that is not widely used, I also teach relief printmaking, so that it will be around [...]

  • Mixed-Media Re/producing Complexity Works-on-paper

  • 06.Jun
  • Re/producing Complexity
  • “RE/PRODUCING COMPLEXITY”
    Exhibition Dates: 11 June – 10 July, 2010

    Exhibition Dates: 11 June – 10 July, 2010
    RE/PRODUCING COMPLEXITY at Artlab33 | Art Space features artists Raúl Perdomo and Liz Atzberger. Both artist’s paintings and drawings take a similar route to reach their goals in a field of rich textures and enveloped in swirls of [...]

Kathleen Hudspeth

Kathleen Hudspeth

The culture of printmaking is an important influence on the works in this exhibition. Though many of the works are prints, none is part of an identical edition; Hudspeth exploits the possibilities of the multiple in such a way as to rephrase and reframe visual statements in order to better build an internal language [...]

By Onajide Shabaka

Kathleen Hudspeth

The culture of printmaking is an important influence on the works in this exhibition. Though many of the works are prints, none is part of an identical edition; Hudspeth exploits the possibilities of the multiple in such a way as to rephrase and reframe visual statements in order to better build an internal language of meaning. Engraving, lithography, mezzotint, etching and silkscreen are used together with collage to both evoke and undermine art-historical traditions. Methods are combined, artifacts from the printmaking process, such as pin and registration holes, remain in the works, the contemporary photo-litho technique is used to reproduce hand-drawn imagery—intentionally without the assistance of digital processes, and media which are static and sticky are used to depict fluid, painterly marks.

Kathleen Hudspeth
“You Subvert Me” @ 2008
Silkscreen, litho and monotype.
Framed, with UV plexi
22 x 30 in.

Kathleen Hudspeth
“Swarm Mélange” @ 2008
Silkscreen and monotype
Framed, with UV plexi
10.5 x 15 in.

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