Artlab33 | Art Space » Tom Virgin

Artlab33 Exhibitions
20.Jan
Miami Art Auction for Haitian Earthquake Relief
MIAMI ARTIST ART AUCTION
for
HAITIAN EARTHQUAKE RELIEF

(click image above for more info)

AFP/GETTY IMAGES

Earthquake victims await treatment Saturday at a Doctors Without Borders facility in Port-au-Prince.

Weekly Regular Hours: Tue.-Sat. 11-5 p.m. (or by appt.)
Open Every Second Saturday’s Wynwood Art Walk

Studio Visits
07.Jan
Studio Visit – Ft. Lauderdale
Two painters and professors at FAU downtown Fort Lauderdale, Henning Haupt and Christian Feneck, had an open studio that was a well attended and fun evening.
Haupt paints large ethereal spaces of rich greens and purples, reds and purples, each color combination also includes mostly white and some very light yellow. His ethereal paintings create an [...]

Artists Printmaking Tom Virgin
31.Jan
Tom Virgin
Tom Virgin

Making and teaching art occupy most of the time that I am awake. Process is very important to my work; the nature of making woodcut prints (my primary images) is time consuming. Because it is a traditional process that is not widely used, I also teach relief printmaking, so that it will be around [...]

Mixed-Media Re/producing Complexity Works-on-paper
06.Jun
Re/producing Complexity
“RE/PRODUCING COMPLEXITY”
Exhibition Dates: 11 June – 10 July, 2010

Exhibition Dates: 11 June – 10 July, 2010
RE/PRODUCING COMPLEXITY at Artlab33 | Art Space features artists Raúl Perdomo and Liz Atzberger. Both artist’s paintings and drawings take a similar route to reach their goals in a field of rich textures and enveloped in swirls of [...]

Tom Virgin

Making and teaching art occupy most of the time that I am awake. Process is very important to my work; the nature of making woodcut prints (my primary images) is time consuming. Because it is a traditional process that is not widely used, I also teach relief printmaking, so that it will be around [...]

By Onajide Shabaka

Posts by Onajide Shabaka
Onajide Shabaka’s Website

Tom Virgin

Making and teaching art occupy most of the time that I am awake. Process is very important to my work; the nature of making woodcut prints (my primary images) is time consuming. Because it is a traditional process that is not widely used, I also teach relief printmaking, so that it will be around in the future. The multifaceted aspect of my creative practice that includes public art and residencies (National Parks, Historical Buildings, small towns, etc.), also embraces the authenticity of American traditions, craftsmanship and skills that are handed down.